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Location: VHS / Special Features
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Richard Simmons is the king of motivational exercise, especially if you're a beginner. This video workout is a dance party simulating a class reunion, with an energizing live band playing lively hits from the '50s and '60s, such as "It's My Party and I'll Cry If I Want To," "Great Balls of Fire," and "Dancing in the Streets." The singers and musicians sometimes come offstage and dance with the exercisers, adding to the energy and festivity. The choreography is very simple, low impact, light intensity, and appropriate for beginners and overweight exercisers. (You may not get your heart rate up if you're very fit, although you'll enjoy the music.) Richard doesn't do much in the way of cueing--he assumes you'll just follow along. His onscreen class has women and men of all body shapes and sizes, and everyone is having a blast. You will, too. At the end, the exercisers dance down the floor and the screen flashes how many pounds they've lost--several have lost more than 100 pounds. (22 minutes of aerobics, total 43 minutes with warm-up, cool down, and stretch.) --Joan Price |
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Despite an irritating, tacked-on voice-over narration that somebody must have thought was necessary to make sense of the story (it wasn't), Last of the Dogmen is actually a very moving and magical film. Tom Berenger plays a Montana bounty hunter who helps an anthropologist (Barbara Hershey) search for the descendants of a Cheyenne tribe who disappeared in the 1870s. What the two find in a remote mountain stretch is an entire community of Cheyenne who have kept themselves cut off from the modern world. A Dances with Wolves parallel emerges as the white outsiders gradually fit in, but Last of the Dogmen stands up just fine without comparison to any other films. As in Kevin Costner's Oscar-winning movie, however, there are ways in which this film captures a similar sense of yearning, mystery, and loss. --Tom Keogh |
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Description Make merry as Chevy Chase, Beverly D'Angelo, Randy Quaid and an ensemble of comedy favorites strive to gift-wrap the "perfect Christmas" for the Griswold family. The most successful of the three vacations. Year: 1989 Director: Jeremiah S. Chechik Starring: Chevy Chase, Beverly D'Angelo, Randy Quaid, Amazon.com You know exactly what you're getting in National Lampoon's Christmas Vacation: another goofball, slapstick comedy of chaos and catastrophe with Clark Griswold (Chevy Chase) and family. This time, there's no traveling involved: Clark and Ellen (Beverly D'Angelo) prepare for a nice Christmas with the kids (played by none other than Juliette Lewis and Roseanne star Johnny Galecki), when their home is invaded by backwoods cousin Eddie (Randy Quaid) and his brood, along with assorted other crazy and/or stuffy relatives. Complications, of course, are inevitable. The film is preceded by National Lampoon's Vacation (1983) and National Lampoon's European Vacation (1985) and followed by National Lampoon's Vegas Vacation (1997). Directed by Jeremiah Chechik, who went on to do Benny & Joon and the Sharon Stone remake of Diabolique. --Jim Emerson |
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This multilevel class is safe for and accessible to beginners, and just right for intermediates. Three of Fonda's able and motivating instructors teach the 45-minute step class. Half the room does lower-intensity moves; the other uses higher steps and higher-intensity techniques. The teaching technique is excellent: a pattern is taught on the floor before taking it up on the step. One participant does the routines totally without the step to guide beginners or others who don't feel comfortable using the step. The patterns never get very complex, but they are varied enough to keep you interested and energized, and you can adjust your step height to make the workout harder if you wish. The instructors cue seamlessly. Fonda herself teaches the 10-minute abdominal segment, with enough variations of the standard crunch to keep your abs contracting and your mind engaged. --Joan Price |
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Much closer to Hello, Dolly! than your usual Christmas special, Mrs. Santa Claus joins two distinct genres: holiday family fare and the Broadway musical. This song-studded extravaganza was especially designed for TV by Broadway legend Jerry Herman, whose songs are just as incorrigibly catchy on the small screen as they are on the stage. Herman uses one of his favorite leading ladies from the theater, Angela Lansbury, in a tale of Santa's "invisible wife," who takes the reindeer off for an impulsive week-long adventure in New York City. Unexpectedly becoming a suffragette and labor organizer (it's set in the early 20th century), Mrs. Claus twinkles merrily at all who cross her path. This is a problem, dramatically speaking, because what's compelling about someone who twinkles all the time? The costumes are by Bob Mackie (duh), the choreography by Chicago director Rob Marshall. And just try to get the melodies out of your head. --Robert Horton |
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Description Charles Dickens' classic holiday story sparkles with humor and whimsy in the hands of the always hilarious Muppets! Michael Caine stars as penny-pinching Ebenezer Scrooge in a performance that's anything but "bah humbug!" Alone on Christmas Eve, Scrooge is visited by ghosts who transport him to his past, present, and future -- and it's not a pretty sight! But along the way he comes upon poor, kind, humble Bob Cratchit (Kermit the Frog) and his family, including Tiny Tim who teaches Scrooge the true meaning of Christmas. Complete with original music and dazzling special effects, this heartfelt holiday movie is exceptional entertainment your family will enjoy for every Christmas to come. Amazon.com Brian Henson directs his late father's creations in the Charles Dickens classic, the best known (and most oft-filmed) Christmas story of all time. Michael Caine plays the old miser Scrooge with Kermit as his long-suffering but ever-hopeful employee Bob Cratchit, Miss Piggy as Cratchit's wife, and a host of Muppets (including the Great Gonzo as an unlikely Charles Dickens) taking other primary roles in this bright, playful adaptation of the somber tale. Or at least it starts brightly enough--the anarchic humor soon settles into mirthful memories and a sense of melancholy as the ghosts of Christmas past, present, and future take Scrooge on a journey of his lonely, wasted life. Michael Caine makes a wonderful Scrooge, delightfully rediscovering the meaning of life as fantastic creations from Henson's Creature Shop (developed specially for this film) take the reins as the three ghosts. While the odd mix of offbeat humor and somber drama undercuts the power of Dickens's drama, this kid-friendly retelling makes an excellent family drama that adults and children alike can enjoy. --Sean Axmaker |
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Rudolph is legendary for saving Christmas, but did you know he saved the New Year as well? While Santa Claus is recuperating from his December sleigh ride, he receives a letter from an old friend, Father Time. Seems that Baby New Year is missing, and if the little tyke isn't found, Old Year will continue on forever--a catastrophe for Father Time, whose job it is to keep things moving forward. A search party is essential, yet with such thick fog, there's only one reindeer fit for the job. "Rudolph with your nose so bright, you've six days left to set things right," says Santa. Trouble hits immediately when Rudolph discovers that Aeon the Terrible, a big-beaked monster bird, is also searching for the missing baby. Rudolph gets help from a giant whale and a good-natured caveman, who dish up plenty of song and dance in between narrow escapes in their race against the end-of-the-year calendar. Sound far-fetched? Perhaps, but it contains as much magic as its predecessors, Rudolph the Red-Nosed Reindeer and Santa Claus Is Comin' to Town, all produced and directed by Jules Bass and Arthur Rankin Jr., and written by the esteemed Romeo Muller. The same stop-motion animation we've grown to love is here as well, and narrator Red Skelton has as trusted a voice as Burl Ives and Fred Astaire. While the New Year holiday will never be as celebrated as Christmas, this title is a welcome addition to any Rankin and Bass collection of holiday films. --Lynn Gibson |
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