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Location: VHS
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Pure Luck
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Universal Studios
List Price: $9.98
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This weak, 1991 remake of the French comedy La Chèvre stars Danny Glover as a detective who is sent to Mexico to find a businessman's daughter (Sheila Kelley) and who gets stuck with a hapless assistant (Martin Short). The film wears out its welcome very quickly, despite some passable physical comedy from Short. Both actors have made much better movies; don't be surprised if you can't make it through to the end of this one. --Tom Keogh |
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Victor Borge was a master at combining two seemingly disparate elements: comedy and classical music. While the Dane's dapper dignity fit the image of "longhair" music, Borge undercut it with broad physical comedy, clever spoofs, and off-the-cuff wit. A pioneer in the field of live comedy recordings, Borge is nevertheless best appreciated on video, and The Best of Victor Borge Acts One and Two captures a 90-minute concert that includes many of his most famous routines. He chides late-arriving members of the Minneapolis audience ("I come from Copenhagen and was here before you!"), falls off the piano bench, and reads his sheet music upside down. There are a few unwitting guests: a stagehand drafted to turn Borge's pages, soprano Marylyn Mulvey who tries to sing a Verdi aria through Borge's teasing and scolding, and Sahan Arzruni as he and Borge play a two-piano Hungarian rhapsody on a single piano by climbing over and around each other. Borge also presents an opera "written by Mozart but credited to Salieri" ("so you can imagine what kind of opera it is") and proves that he's not merely a clown by skillfully performing a set of waltzes and lullabies. In addition, two of his best-loved sketches are nonmusical: Inflationary Language, in which numbers in language, like the economy, are increased ("I'll go back to Elevenessee.... Three-dleoo."), and Phonetic Punctuation, in which a period is read aloud to sound like fft and an exclamation point fsss fft. Like Anna Russell and PDQ Bach, Victor Borge helped make classical music accessible to a wide audience by showing that it could be laugh-out-loud funny. --David Horiuchi |
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Description This hilarious Christmas film tells the tale of a young orphan child who mistakenly crawls into Santa's bag of gifts on Christmas Eve and is transported back to the North Pole and raised as an elf. Years later Buddy learns he is not really an elf and goes on a journey to New York City to find his true identity. Amazon.com Elf is genuinely good. Not just Saturday Night Live-movie good, when the movie has some funny bits but is basically an insult to humanity; Elf is a smartly written, skillfully directed, and deftly acted story of a human being adopted by Christmas elves who returns to the human world to find his father. And because the writing, directing, and acting are all genuinely good, Elf is also genuinely funny. Will Ferrell, as Buddy the adopted elf, is hysterically sincere. James Caan, as his rediscovered father, executes his surly dumbfoundedness with perfect aplomb. Zooey Deschanel, as a department store worker with whom Buddy falls in love, is adorably sardonic. Director Jon Favreau (Swingers) shepherds the movie through all the obligatory Christmas cliches and focuses on material that's sometimes subtle and consistently surprising. Frankly, Elf feels miraculous. Also featuring Mary Steenburgen, Bob Newhart, Peter Dinklage, and Ed Asner as Santa Claus. --Bret Fetzer |
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This lovely, 1991 adaptation of Elizabeth Von Arnim's novel has a superb cast and a tone so mellow you can feel your pulse get slower. Josie Lawrence and Miranda Richardson play a pair of unhappily married women who rent an Italian villa for a month, sharing the rent with a crusty Englishwoman (Joan Plowright) and a lonely aristocrat (Polly Walker). Sun, rest, sinking into the green grass for long naps--they all have a soulful effect on the quartet, and then on the men in their lives who make a surprise visit. Mike Newell (Into the West) directs with seeming effortlessness, and it is impossible not to be swayed by the promise of restoration for these burdened characters--or for anyone alive. Wonderful performances all around, including a particularly sensitive one by Alfred Molina and a very funny one by Jim Broadbent. --Tom Keogh |
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Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, there is the sound-alike choral group Anuna, who casts a similarly New Age-style vocal spell. Also thrown into the mix are such disparate folk traditions as American gospel and Spanish flamenco. Though it's only 70 minutes long, Riverdance is repetitive by half. But judging from the ecstatic audience ovations and the continued foot-stomping during and after the curtain calls, too much is still not enough. --Richard Natale |
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This is a story of children from two small towns in Ireland who form small armies and battle against each other in a never-ending quest for supremacy. The film investigates the slightly surreal and powerfully emotional world we inhabit as children. |
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Interval workouts incorporate a variety of activities that are powerful and short in duration. These intervals create an anaerobic workout that forces the body to adjust to variations of intensity and motion. Interval training has the real potential to burn fat and build strength. The Firm: Body Sculpting Basics utilizes these same aerobic and anaerobic components to create a 60-minute workout that promotes strength and stamina. Instructor Susan Harris presents simple dance-style aerobic combinations and weightlifting techniques that are sure to make you break a sweat. This video is somewhat dated (lots of '80s-style leg warmers and traditional dance aerobic movements), but the content is so stellar that it would more appropriately be coined as a fitness classic. Pliés, squats, and split-leg lunges work the major muscles of the lower body, while lateral raises, curls, and push-ups concentrate on the upper body. Light weights (5 to 8 pounds) are used throughout this workout, and a set of ankle weights may be helpful if you are looking for a challenge. Cueing comes quickly and Harris does not give much information on form or body alignment. Therefore, beginners should watch the informational portion of this video (the segment immediately before the workout) in order to train as confidently and safely as possible. This is a brilliantly designed program that merges weight training and cardio in an effective and approachable (not to mention quick) package. --Olivia Voigts |
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